Paolo Muzi created the concerts in this series, for the audio part, with real samples of all the instruments included in the scores, using Akai, Roland and Yamaha samplers. The preliminary work consisted of the electronic writing of the score with a MIDI system and, very importantly, in the creation of the orchestral direction, both in a global sense and with regard to the rendering of the phrases and breaths in the performance, with the aim of making the more likely the musical perception of the concert listener is to reality. The choice of timbres of the various samples and the overall effect of the parts reflect the sensitivity of the author who, as with other editions (Carisch, Guitart), used technique in the service of art. The covers represent a canvas painted by the musician himself.
Concerto for guitar and orchestra
- I. Allegro preciso [05:46]
- II. Andantino e andante [04:56]
- III. Allegretto non troppo [04:59]
- I Movement slowed down by 15% [06:28]
- III Movement slowed down by 15% [05:04]
Compressed folder containing the 41 audio tracks in lossless ".wav" format, the booklet, the track list.
Historical and interpretative notes by Adriano Sebastiani.
Sampled orchestra by Paolo Muzi